Performanceįollowing Apple’s introduction of the Metal engine, FCPX handles more complex projects at impressive speeds.

From here users can create 2D and 3D titles, transitions and real-time effects, as well as processing output content in myriad formats, including 360 degree output, as well. Though, if you’re a lone editor, this is not so much of an issue.įCP X works in conjunction with Apple’s motion graphics and content delivery softwares, Motion and Compressor, though at an additional standalone cost. FCP X looks like it has thrown the preconceptions of previous editions of FCP out the window and revamped it in a powerful way that allows fast editing workflows, and has speedy render times even when working on large projects.Īlthough multiple editors can work on the same project via editing servers such as Jellyfish, collaboration with other users on projects still feels a little stilted and is not necessarily a smooth process. When a project is chronological the software seems to process much quicker than others. FCP X feels like it resists projects that play with the chronology of a piece and instead is happier when working towards chronological editing (that is, a project that follows a narrative from beginning, to middle, and end). So veteran editors that are new to FCP X may have to unlearn old habits.įCP X is capable of editing projects to almost any level, but it’s not best-suited for complex video editing work that specifically requires a large volume of video tracks. That’s because FCP X seems to function in reverse to a lot of the other editors out there, presumably in an attempt to keep editing workflows clear and smooth. However, for those that have edited on non-linear editors before it may be a little trickier to use. But the features and tools that are initially hidden can be easily opened and used on projects, so the software is no less sophisticated than its competitors. This simple user interface means they can jump right in and start editing videos quickly. All complex editing functions are hidden initially which makes it much more approachable for beginner editors or those new to the software. This macOS-only video editor is fast, and easy to use, as you would expect from a company such as Apple, who gears their focus around the user experience. That means there’s no confusion when it comes to backing up data, and less doubling-up on content, which, if you’re keen to minimise the storage footprint on your hard drive, is great news. Renaming files and other media from within Premiere Pro will also see the media on the storage device renamed, and this works the other way around as well. It’s a step-up in flexibility for multiple user workflow but it has some good benefits for independent editors that work alone, too. Premiere Pro uses Productions to increase organisation and synchronisation for multi-project workflows where there is a team of editors working on the same content. As well as After Effects, Premiere Pro works seamlessly with many other of the Adobe suite titles including Audition for audio editing, Photoshop and Illustrator for working with image files, and Adobe Stock.Render times in Premiere Pro can take quite a long time, occasionally bigger, more complex projects have been known to flare up issues with content the software can’t read, or generating errors.

Final cut pro vs premiere pro on mac